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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Phillips, Ammi
American Folk Artist, 1788-1865
American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer, |
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Phillips, Ammi
Reverend Jonas Coe
1820
Oil on canvas.
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Phillips, Ammi
Cornelius Allerton
1821-22
Oil on canvas
Art Institute of Chicago.
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Phillips, Ammi
Mrs. Day
1835
Oil on canvas
National Gallery of Art, Washington D.C.
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Phillips, Ammi
Portrait of a Young Woman,possibly Mrs.Hardy
mk77
c.1812-19
Oil on canvas
30x25in
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Phillips, Ammi
Mrs.John Vincent Storm
mk140
circa 1838
Oil on canvas
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Phillips, Ammi
Betsey Beckwith
Date between 1815(1815) and 1820(1820)
Medium Oil on canvas
Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in)
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Phillips, Ammi
Jeannette Woolley later Mrs John Vincent Storm
Date between 1835(1835) and 1845(1845)
Medium Oil on canvas
Dimensions 83.8 X 71 cm (32.99 X 27.95 in)
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Phillips, Ammi
Phillips
Date between 1815(1815) and 1820(1820)
Medium Oil on canvas
Dimensions 77.4 X 62.4 cm (30.47 X 24.57 in)
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Phillips, Ammi
Mrs Wilbur
English: "Mrs. Wilbur (Sarah 'Sally' Stearns) Sherman (1789-1845) and daughter Sarah (1814-1872)," oil on canvas, by the American artist Ammi Phillips. 36 in. x 30 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn.
Date 1815
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Phillips, Ammi
Wilbur Sherman
English: "Wilbur Sherman (1776-1856)," oil on canvas, by the American artist Ammi Phillips. 32 in. x 26 in. Yale University Art Gallery, the Teresa and H. John Heinz III Charitable Lead Trust. Courtesy of Yale University, New Haven, Conn.
Date 1815
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| Phillips, Ammi
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American Folk Artist, 1788-1865
American painter. Apparently self-taught, he began his prolific and successful career as a portrait painter c. 1811. During his lifetime, he moved several times across the borders of New York, western Connecticut and Massachusetts in search of commissions. Like many of the itinerant artists of the 19th century, he struggled to achieve pictorial solutions and a distinctive style, yet he developed so dramatically that historians originally classified his paintings as the work of two different artists: 'The Border Limner' and 'The Kent Limner'. The earliest works, from his 'Border' period (c. 1812-19), are marked by simple forms, shaded outlines and soft, pastel colours. They include ambitious full-length portraits as well as three-quarter and bust-length examples (Dr Russell Dorr, c. 1814-15; Williamsburg, VA, Rockefeller Flk A. Col.). In the 1820s he experimented with techniques and formats, developing an attention to detail and naturalism that suggests the influence of Albany portrait painter Ezra Ames. By the 1830s, the decade of his 'Kent' portraits, his compositions present his sitters as large, stylized shapes that nearly fill the canvas, while his use of rich, saturated colours creates striking contrasts of light and dark. Typically in this decade, his female sitters are shown leaning forward while male sitters sit upright with one hand draped over a chairback. Among his most appealing and successful works are portraits of children from this period. Blond Boy with Primer,
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